Patio de los Reyes before the basilica, Monastery of San Lorenzo de El Escorial, Castile (Community of Madrid)

Courtyard of the Kings, El Escorial

On 13 September 1584, twenty-one years after the first stone, Philip II watches the last stone of El Escorial set in the Courtyard of the Kings, marked with a cross. The granite monastery-palace designed by Juan Bautista de Toledo and Juan de Herrera, with its domed basilica, is finished in all its essentials.

Panoramic scene depicting Courtyard of the Kings, El Escorial (1584), Patio de los Reyes before the basilica, Monastery of San Lorenzo de El Escorial.
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Panoramic scene depicting Courtyard of the Kings, El Escorial (1584), Patio de los Reyes before the basilica, Monastery of San Lorenzo de El Escorial.
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Year
1584
Where
Castile (Community of Madrid) · ES
Era
Renaissance
Coordinates
40.589, -4.148

The moment

The last stone was marked with a cross

On 13 September 1584, in the Courtyard of the Kings at San Lorenzo de El Escorial, masons set the last stone of the building while Philip II watched. It was a granite ashlar cut with a cross, fitted high on a pilaster in the courtyard.

The first stone had been laid on 23 April 1563. In slightly less than 21 years a quadrangle of about 224 by 153 metres had risen at the foot of the Guadarrama mountains. The king was 57. Beside him stood the master of works, the Hieronymite friar Antonio de Villacastín.

A battle, a saint and a gridiron

Philip built El Escorial to commemorate the Spanish victory at St Quentin in Picardy in 1557, won on the feast of St Lawrence, and he dedicated it to that saint. Tradition says the grid of courtyards recalls the gridiron on which Lawrence was martyred. Historians are less sure, since the layout was not unique to El Escorial and its origin is disputed.

It was to be a monastery for Hieronymite monks, a basilica, a palace and a library. Above all it was a tomb, for his parents, Charles V and Isabella of Portugal, for himself and for his descendants.

The first architect, Juan Bautista de Toledo, died in 1567. His apprentice Juan de Herrera, generally regarded as the architect of El Escorial, finished it in the severe, almost unornamented granite style that Spaniards still call herreriano.

Six kings of Judah, not all yet in place

The basilica closes the east end of the courtyard, between two bell towers. Behind its front rises the dome on a drum pierced by eight windows; its lantern, spire, bronze ball and cross were set in June 1582, according to the monastery's chronicler, José de Sigüenza.

High on the front stand six colossal kings of Judah by Juan Bautista Monegro, carved in granite with white marble faces and hands and crowns and sceptres of gilded bronze. Their hoisting began in April 1584 and ended in March 1585. On the day of the last stone, only some of them were on their pedestals, and the record does not say which. Around the courtyard, plain granite ranges with rows of windows carried grey slate roofs from the king's own quarries at Bernardos.

Where Spain buries its kings

Philip lived to see his building in use. He died there on 13 September 1598, fourteen years to the day after the last stone, in rooms beside the basilica with a view of the high altar.

Below that altar lies the Pantheon of the Kings. Its 26 marble sepulchres hold Spanish monarchs from Charles V onward, with two exceptions, Philip V and Ferdinand VI.

For Spaniards El Escorial is the Golden Age and the Habsburg monarchy in stone, the place generations of schoolchildren are taken to see. UNESCO declared it a World Heritage Site on 2 November 1984. Augustinian friars now keep the monastery the Hieronymites once filled.

Sources

Further reading

Tagged

  • spain
  • el-escorial
  • madrid
  • philip-ii
  • habsburg
  • renaissance
  • monastery
  • juan-de-herrera

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